6. 俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。 高清作品[96%]

Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926.

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RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.

A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.

俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。

下载俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林:Russkoe Iskustvo,1921年8月至1926年1月。大图

10. 查尔斯·汉密尔顿·史密斯的《小马驹》第三期《布鲁德·马雷》第二期《黑人阿拉伯人》 高清作品[89%]

Colt Third Issue of Brood Mare and Second-

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查尔斯·汉密尔顿·史密斯的《小马驹》第三期《布鲁德·马雷》第二期《黑人阿拉伯人》-the Black Arab by Charles Hamilton Smith

Colt Third Issue of Brood Mare and Second--Charles Hamilton Smith (英国, 1776-1859)

下载查尔斯·汉密尔顿·史密斯的《小马驹》第三期《布鲁德·马雷》第二期《黑人阿拉伯人》大图

11. 魔法和相关艺术。 4个标题: 高清作品[87%]

4 titles:

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MAGIC AND RELATED ARTS. :4 titles:
1. WITGEEST, SIMON. Natürliches Zauber-Buch, oder, Neuer Spiel-Platz der Künste. Nuremburg: Hoffmann and Streck, 1707. 8vo. Engravings in text. 18th-century calf, recent title label. SECOND EDITION IN GERMAN of Witgeest\'s (a pseudonym) Het nieuwe Toneel der Konsten (translated, New Theater of the Arts).
2. OZANAM, JACQUES. Recreations Mathematical and Physical. London: For R. Bonwick, et al, 1708. Lacking at least 3 engraved plates, illustrated with woodcuts throughout. Panelled calf, with tape to spine and hinges. FIRST EDITION IN ENGLISH of this popular work on entertainments from cards to fireworks.
3. AGRIPPA, HENRY CORNELIUS. The Vanity of Arts and Sciences. London: Printed by R.E. by E.B., 1684. 8vo. Lacking frontispiece, title page laid down. Early mottled calf, rebacked.
4. LA CROSE, JEAN CORNAND DE. Memoirs for the ingenious: containing several curious observations in philosophy, mathematicks, physick, history, philology, and other arts and sciences in miscellaneous letters. London: Printed for Rhodes, 1693. 11 issues in one volume. 8vo. Modern morocco backed boards. CONTAINING February - December issues from 1693, February issue is lacking title page.

魔法和相关艺术。 4个标题:

下载魔法和相关艺术。 4个标题:大图

12. 布莱,西奥多·德。1528-1598年托马斯·哈里奥特。 弗吉尼亚州商业和国际贸易部。法兰克福:约翰·韦切尔,1590年。 高清作品[84%]

Admiranda Narratio Fida Tamen, de Commodis et Incolarum Ritibus Virginiae.  Frankfurt: Johann Wechel, 1590.

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BRY, THEODOR DE. 1528-1598; AND THOMAS HARIOT.:Admiranda Narratio Fida Tamen, de Commodis et Incolarum Ritibus Virginiae. Frankfurt: Johann Wechel, 1590.
Folio (332 x 240 mm). Engraved title (first issue, see below), engraved arms on dedication leaf, double-page engraved map of Virginia in first state, engraved plate of Adam and Eve in first state with inscription \"Iodocus a winghe in Theodore de Bry fe.\" and 27 engraved plates after John White. Late 19th-century red morocco gilt by \"Bradstreet\'s for J. Comly MacCoy,\" gilt edges. Some light mostly marginal staining. Provenance: J.C. MacCoy (booklabel and binding).


FIRST EDITION, MOSTLY FIRST ISSUE (see below) OF THE FIRST VOLUME OF DE BRY\'S GREAT VOYAGES, BEING THOMAS HARIOT\'S DESCRIPTION OF VIRGINIA, and published during De Bry\'s lifetime. Thomas Hariot accompanied the 1585 expedition to Roanoke funded by Sir Walter Raleigh and acted as a translator. He had learned Carolina Algonquian from two Roanoke chiefs brought to England by Raleigh the year before. His account is a very encouraging one as the mysterious disappearance of Roanoke colony was not reported in Europe until John White, the expedition artist and mapmaker, returned in 1590.The 23 illustrations to the text, which are after John White\'s drawings, are by far the most important visual record of New World natives as first encountered by the English colonists. Also included is the highly important double-page map, the first map to identify Chesapeake Bay and \"the first printed map of this degree of detail and accuracy for any part of the present area of the United States\" (Cumming). It was dubbed by Burden \"one of the most significant cartographical milestones in colonial North American history ... the most accurate map drawn in the sixteenth century of any part of that continent. It became the prototype of the area until long after James Moxon\'s map in 1671... This is the first map to focus on Virginia (now largely North Carolina), and records the first English attempts at colonization in the New World. First issue engraved title as Church 140a, the plate not worn but without the printed \"cum gratia et privilege...\" at the bottom of the title panel. Map and most plates in first issue (plates 4, 7, 11, 12 second issue). D6 is a blank and genuine. Burden 76 (first state); Church 140; Cumming Southeast 12-13; European Americana 590/31; Sabin 8784.

布莱,西奥多·德。1528-1598年托马斯·哈里奥特。 弗吉尼亚州商业和国际贸易部。法兰克福:约翰·韦切尔,1590年。

下载布莱,西奥多·德。1528-1598年托马斯·哈里奥特。 弗吉尼亚州商业和国际贸易部。法兰克福:约翰·韦切尔,1590年。大图

13. 拉瓦锡,安托内拉伦特。1743-1794. 在现代发现的基础上,以新的顺序呈现的化学元素。巴黎:库切特的蓟,1789年。 高清作品[83%]

Traite elementaire de chimie, presente dans un ordre nouveau et d\'apres le decouvertes modernes. Paris: Chardon for Cuchet, 1789.

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LAVOISIER, ANTOINE-LAURENT. 1743-1794.:Traite elementaire de chimie, presente dans un ordre nouveau et d\'apres le decouvertes modernes. Paris: Chardon for Cuchet, 1789.
2 volumes. 8vo (210 x 135 mm). Half-titles, 13 folding engraved plates by and after Marie Anne Pierrette Paulze Lavoisier, 2 folding tables. Original boards, manuscript paper title labels, top edge trimmed, others uncut; volume two leaves unopened; custom folding box. Rubbed, corners a little rounded, scattered light spotting.

A FINE FRESH COPY IN ORIGINAL BOARDS OF THE FIRST EDITION, SECOND ISSUE of the book that \"accomplished a chemical revolution\" (PMM 238); the first issue (or trial issue) is known in only two copies. Lavoisier\'s landmark work \"put an end to the phlogiston theory and the surviving remnants of alchemy\" (PMM), and laid the groundwork for the modern scientific study of chemistry. Dibner 43; Duveen, p 340; Norman 1295; PMM 238.

拉瓦锡,安托内拉伦特。1743-1794. 在现代发现的基础上,以新的顺序呈现的化学元素。巴黎:库切特的蓟,1789年。

下载拉瓦锡,安托内拉伦特。1743-1794. 在现代发现的基础上,以新的顺序呈现的化学元素。巴黎:库切特的蓟,1789年。大图

14. 约瑟夫·亚伯斯 公式:发音组合II,文件夹26 高清作品[82%]

Formulation: Articulation Portfolio II, Folder 26

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Josef Albers:Formulation: Articulation Portfolio II, Folder 26 (D. Appx C, p. 204), 1972
Screenprint in colors on Mohawk Superfine Bristol paper, unsigned as issued, from the edition of 1000, with printed artist and title, verso, with the blindstamp of the artist, published/printed by Ives-Sillman, Inc./Sirocco Screenprints, New Haven, in collaboration with Harry N. Abrams, New York, with full margins, folded as issued.
13 1/2 x 13 5/8in (34.3 x 34.6cm)
sheet 15 x 20in (38.1 x 50.8cm) (closed)

约瑟夫·亚伯斯 公式:发音组合II,文件夹26

下载约瑟夫·亚伯斯 公式:发音组合II,文件夹26大图

15. 罗伯特·曼戈尔德 一本丝网印刷书:多幅油画,1973-1976 高清作品[80%]

A Book of Silk Screen Prints: Multiple Panel Paintings, 1973-1976

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Robert Mangold:A Book of Silk Screen Prints: Multiple Panel Paintings, 1973-1976 (9 works), 1992
The complete portfolio of 9 screenprints in colors on wove paper, from the third edition, each initialed and dated in pencil, numbered 291/300 on title page (there were also editions published in 1977 and 1988), published by Edition Domberger, Filderstadt, Germany/Parasol Press, New York, printed by Domberger KG, Filderstadt, Germany, each the full sheet, loose as issued, with removable plastic holder as issued. (9 works)
each sheet 11 3/4 x 23 7/8in (29.8 x 60.7cm)

罗伯特·曼戈尔德 一本丝网印刷书:多幅油画,1973-1976

下载罗伯特·曼戈尔德 一本丝网印刷书:多幅油画,1973-1976大图